Patola, Muga
& Handloom Weaves
Patan Patola, Assam Muga and Kota Doria — small, protected, slow-output weaves where the commercial question is whether the supplier can make it at all, not what it costs.
What we buy in this line
- Patan PatolaDouble ikat, resist-dyed on both warp and weft before weaving.
- Single ikatFaster, far cheaper, and a legitimate product when described as what it is.
- Assam MugaGolden wild silk, undyed, from a fibre produced nowhere else.
- Kota DoriaFine square-check khat weave in cotton and silk.
- Handloom fabricWoven to the metre for furnishing and apparel programmes.
- Made-upsStoles, runners, cushions and panels finished from the same cloth.
What we fix before the warp is tied
Hand-made goods are bought against an approved sample, not a drawing. That only works if what the sample is being judged on is written down before anyone starts.
Every criterion above appears in the inspection report as a pass or a fail, with the measurement beside it. Where a criterion is a judgement rather than a number, the judgement is recorded against a retained physical sample.
What we screen before a sample is quoted
Single ikat sold as double
A large and easy margin for a dishonest supplier. Verified by examining the warp and weft resist on the goods, not by asking.
Printed cloth sold as ikat
Digitally printed imitation ikat is widespread and cheap.
Capacity fiction
These weaves are structurally low-output. An order accepted beyond real loom capacity gets quietly subcontracted or substituted.
Muga adulteration
Muga blended or dyed to imitate volume. Fibre tested where the price assumes pure muga.
Clusters we work for this line
Patan double ikat is made by a handful of families. Any programme built on it has to be planned around that reality rather than negotiated against it.
The other hand-made skills
Send us the sample. We will tell you honestly.
Whether we can source it well in India, what it should cost, and what could go wrong — before you commit to anything.